Hinduism is possibly the most
ancient religion of the world: the Vedic tradition dates back 4000 B.C. As a
religion, Hinduism is characterized by different currents and conceptions that
have been changing throughout history, manifesting in different ways in those
regions where it became the dominant faith. As in other religious cases,
Hinduism has notably influenced the way in which society perceived and observed
women, who were often compared with goddesses belonging to the Hindu
mythological pantheon.
If
we consider the years 2500-500 B.C. – which represent the proper Vedic period –
we can detect that women had the faculty to participate to philosophic
discussions, could wear sacred vestments, could read the Veda and could sing
the hymns of the Hindu holy books. Moreover, wedding was not compulsory, women
could choose not to marry and widows had the faculty to marry again if they
were still in fertile age.
Lord Rama and Goddess Sita |
During
the Moghul rule over India, which began in the early XVI century, the Islamic
religion introduced the institution of polygamy, which also Hindus accepted to
embrace. Thus, ever since the end of the Vedic golden age women have suffered a
totally subjected condition.
In
terms of historical and cultural inquiry, the only object of concrete interest
was the image of the woman of the upper-castes belonging to the Aryan lineage,
whereas the Vedic dasi – i.e. the
women in servitude – who had been captured, subjugated and enslaved by the
conquering Aryans, disappeared without leaving trace of themselves until the
nineteenth century history.[2]
It
will be only at the beginning of the British domination of India in the XIX
century that the first reforms of the Hindu tradition will take place in favor
of women.
The
two great epics of the Hindu civilization, the Mahabharata and Ramayana,
illustrate the life and the deeds of goddesses and heroines of the Hindu
tradition that have strongly affected and still affect the way in which women
are perceived and judged by the Indian society. Among these mythological
characters we may cite three that typically personify different models of Hindu
women: Sita, Draupadi and Kali.
Sita
is one of the friendly benevolent goddesses of the Hindu pantheon. She appears
in the Ramayana as the spouse of Lord
Rama, the seventh avatar (i.e. manifestation or incarnation) of Lord Vishnu,
one of the most significant deities in Hinduism. Sita is mostly known due to
her virtuous and righteous qualities. In fact, Goddess Sita – who is considered
to be an avatar of Goddess Lakshmi as well as the daughter of Mother Earth
(Bhudevi) – embodies the ideal womanly virtues and stands before all Hindu
women as a model of wifely and domestic qualities. Although she was exposed to
intense suffering during her life, she always manifested a cheerful countenance,
accepting sorrow in a stoic fashion, and this is what her followers try to
imitate from her. Goddess Sita symbolizes a perfect example of loyalty and
abnegation for having left the luxurious comforts of her palace to accompany
her husband Lord Rama in the forest when he was banished there. Sita
exemplifies also the ideals of fidelity and chastity because during this period
of exile the Goddess was also abducted by a demon king named Ravana and
imprisoned within his palace walls. At such a trying time she revealed
endurance, bravery and resilience: despite Ravana’s attempts to having sexual
relations with her, during her long period of imprisonment Sita’s honor and
chastity remained spotless. Later, when she was rescued by Lord Rama, Sita attested
her purity to him by undertaking an ordeal of fire. As a daughter, wife and
finally mother, Goddess Sita fulfilled all roles with great devotion and
rectitude, displaying the intrinsic strength of a woman who refuses to
compromise on her ideals while behaving with the utmost grace. To understand
how extraordinary the consideration for the example of Sita is we can underline
that “a recent survey taken of one thousand young Indian men and women in the
North Indian state of Uttar Pradesh revealed that from a list of twenty-four
goddesses, literary heroines, and famous women of history, an overwhelming
percentage chose for their ideal female role model Sita”.[3]
As
for Draupadi, she represents one of the most important female characters in the
Mahabharata. In the epic, she is the
daughter of Drupada, King of Panchala and later she became the common wife of
the five Pandavas. Draupadi was a beautiful woman and, like Sita, many men
desired her. Her life presents some very interesting episodes of attempts of
being seduced and even forced by men. Specifically, Jayadratha, the son of
Vriddhakshatra, was crossing through a forest when he saw Draupadi. At that
point, feeling astonished by Draupadi’s beauty, Jayadratha started pleading her
to go away with him and desert her husbands who at that time had fallen upon
bad times. Draupadi pointed out that it was wrong to desert one’s spouses when
they were in difficulty and then gave him a rather long and deliberately
delaying speech on exactly the sort of bad time her husbands would give him on
their return. Failing with words, Jayadratha tried violence and forced her onto
his chariot. When the Pandavas learned of their wife's abduction by Jayadratha
they rushed to save her. On seeing the Pandavas coming after him, Jayadratha
left Draupadi on the road and Draupadi was saved. However, the Pandavas caught
Jayadratha after chasing him on the chariot and publicly humiliated him before
setting him free again. Another episode is that with Draupadi and Kichaka.
Kichaka was a commander of a king’s armed forces, and one day while her
husbands were away he had happened to see Draupadi. He was immediately filled
with lust by looking at her. He asked her to marry him, but Draupadi refused
him saying that she was already married. She warned Kichaka that her husbands
were very strong and that he would not be able to escape death at their hands.
Disapponited, Kichaka tried to molest her, but she managed to escape and to run
into the court of Kichaka’s king. At that point Kichaka kicked her in front of
all the courtiers. Draupadi then cursed Kichaka with death by her husband's
hand, but he did not take her words seriously. Later that night, one of the
Pandavas, Bhima, in the guise of Draupadi, fought with Kichaka and killed him. The
brutal way Kichaka had kicked Draupadi in the face may have influenced the
violent behavior that some Indian men have shown towards women throughout
history. Certainly, Draupadi, is somewhat an example of loyalty, fidelity and
patience, but unlike Sita, the aggressive and outspoken behavior she displays –
together with the inability of her husbands to protect her – prevents her from
becoming idealized as the “perfect wife” who endures the most severe trials
without complaint.[4]
Moreover, the marriage of Draupadi with five men, a clear example of polyandry,
was considered unusual by the society spoken of in the epic. The Indo-Aryan
texts almost never mention or allow polyandry, although polygamy was common among
men of higher social ranks: indeed her marriage to five men was controversial.
Goddess Kali |
[1] Cf. Flood,
G. (1996). An introduction to Hinduism. New York, NY: Cambridge University
Press.
[2] Sangari,
K. and Vaid, S. (1990). Recasting women. New Brunswick, N.J.: Rutgers
University Press, p. 28.
[3]
Sutherland, S. (1989). Sītā and Draupadī: Aggressive Behavior and Female
Role-Models in the Sanskrit Epics. Journal of the American Oriental Society,
109(1), p.63.
[4] Ibid. pp.
72-73.